WBGO Blog
  • The Artistic Duality Of Drummer Mark Guiliana

    July 11, 2019. Posted by Simon Rentner.

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    Mark Guiliana (Image Credit: Justin Bettman/Courtesy of the artist)

    Drummer/composer Mark Guiliana traverses many musical landscapes from modern jazz (Brad Mehldau), Tunisian oud music (Dhafer Youssef), Hasidic reggae (Matisyahu), or legendary rock (David Bowie.) However, these days, his primary mode for expression is displayed in two distinctly different sounding bands: the acoustic The Mark Guiliana Jazz Quartet and his electric Beat Music project. But don't make the mistake of thinking about these vehicles as separate, or only binary, divided between plugged-in and plugged-out lines, but rather in unison, from the creative mind of an artist who deftly synthesizes the vast array of contemporary sounds around us. And, as far as the spirit of the music, Guiliana says, "You know, every time I sit down it's jazz whether it is or not."

    Join us on this exciting Jazz Night in America journey, where we'll bring you these two bands in their peak form, with two unique concerts, from two hemispheres of the globe: The Mark Guiliana Jazz Quartet recorded at the world famous Bimhuis in Amsterdam followed by Beat Music's album release party at Rough Trade in Brooklyn.

    Set List:

    • "Jersey" (Mark Guiliana)
    • "Our Lady" (Chris Morrissey)
    • "One Month" (Guiliana)
    • "Bones" (Guiliana)
    • "Bud" (Guiliana)

    Musicians:

    Mark Guiliana Jazz Quartet: Mark Guiliana: drums/composition; Jason Rigby: saxophone; Fabian Almazan: piano; Chris Morrissey: bass.

    Beat Music: Mark Guiliana: drums & electronics; Nick Semrad: synthesizers; BIGYUKI: synthesizers; Chris Morrissey: bass

    Credits:

    Host: Christian McBride; Producer: Simon Rentner; Editor: Alex Ariff; Senior Producer: Katie Simon; Recording Engineer: David Tallacksen (Beat Music), Micha de Kanter (Jazz Quartet); Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Senior Director of NPR Music: Lauren Onkey; Production Assistant: Sarah Kerson; Project Manager: Suraya Mohamed; Funded in Part By: The Argus Fund, The Andrew W. Mellon Foundation, The Ella Fitzgerald Charitable Fund, The National Endowment for the Arts, Wyncote Foundation

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • Watch The Monterey Jazz Festival On Tour Celebrate 60 Years

    June 24, 2019

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    Watch the Monterey Jazz Festival On Tour perform live from Jazz at Lincoln Center in New York City. (Image Credit: Jazz at Lincoln Center)

    How do you distill the spirit of the Monterey Jazz Festival into a single band? Considering the ethos of the annual event, the band was designed to be a celebration of diverse international talent, forward-thinking sensibilities and just plain killin' performances. For artistic director Tim Jackson, that was the task at hand in 2018, marking the festival's 60th anniversary.

    The end result is The Monterey Jazz Festival On Tour. It's a band of six individually acclaimed performers from the next generation of stars: Cécile McLorin Salvant, vocals; Bria Skonberg, trumpet, vocals; Melissa Aldana, tenor saxophone; Christian Sands, piano and musical director; Yasushi Nakamura, bass, and Jamison Ross, drums, vocals. The band toured through North America in March and April of 2019 and Jazz Night in America captured the band's stop at Jazz at Lincoln Center, which features original tunes from different members of the band with new accents from project collaborators.

    PERFORMERS

    Cécile McLorin Salvant: voice; Melissa Aldana: tenor saxophone; Bria Skonberg: trumpet and voice; Christian Sands: piano and musical director; Yasushi Nakamura: bass; Jamison Ross: drums and voice

    CREDITS

    Producers: Justin Bias, Colin Marshall; Concert Recording Engineer: Rob Macomber; Concert Video Director: Joe Lucarro; Videographers: Hiram Becker, Andrew Trost, Brandon Smith; Editor: Jeremiah Rhodes; Project Manager: Suraya Mohamed; Senior Producers: Colin Marshall, Katie Simon; Supervising Editors: Keith Jenkins, Lauren Onkey; Executive Producers: Gabrielle Armand, Anya Grundman, Amy Niles; Funded in Part By: The Argus Fund, The Andrew W. Mellon Foundation, The Ella Fitzgerald Charitable Fund, The National Endowment for the Arts, Wyncote Foundation

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • Good Gracious! Words Of Wisdom And Soulful Reflection From 'Sweet Papa' Lou Donaldson

    June 20, 2019

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    Host Christian McBride and Saxophonist Lou Donaldson in Florida. (Image Credit: Katie Simon/WBGO)

    Lou Donaldson, the alto saxophonist fondly known as "Sweet Papa," tends to characterize his colorfully sprawling life in jazz as the pursuit of a fundamental aim. "I always had my music geared to the people," he says. "'Cause when I played, I listened to what they were giving me the applause for."

    During a career spanning more than six decades, Donaldson met that standard with style to spare — in the earliest hard-bop bands, alongside Art Blakey and Clifford Brown; with a winning series of 1960s Blue Note albums, like Alligator Bogaloo, that would come to epitomize soul jazz; as a blues-and-bebop legacy artist, recognized as an NEA Jazz Master; and as a core sample source for hip-hop artists like Pete Rock and De La Soul.

    Donaldson, 92, has lately been enjoying a retiree's easy pace in Florida, but he's no less garrulous and mischievous than he ever was, as we'll hear in this episode of Jazz Night in America. Our host, Christian McBride, visited Donaldson at home, and their conversation is an unguarded and salty treat. ("The only jazz I hear," quips Sweet Papa Lou, "is when some old people play it.")

    We'll also hear plenty of music, pulled not only from Donaldson's storied catalog but also a 2009 date at Dizzy's Club Coca-Cola, with his longtime organ quartet. We'll hear Don Was, the president of Blue Note, explain why Donaldson has been key to the label's legacy. And we'll hear Pete Rock break down the magic of those tracks from a hip-hop point of view. "To me, Lou was special," Rock reflects — a sentiment we all share at Jazz Night, in a vibrant present tense.

    Musicians

    Lou Donaldson, alto saxophone, vocals; Randy Johnston, guitar; Akiko Tsuruga, organ; Fukishi Tainaka, drums

    Credits

    Host: Christian McBride; Producers: Trevor Smith with Alex Ariff; Senior Producer: Katie Simon; Recording Engineer: Rob Macomber; Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Senior Director of NPR Music: Lauren Onkey; Production Assistant: Sarah Kerson; Project Manager: Suraya Mohamed; Special thanks to Hannah Harris Green, Sam Turken, Roberta Magrini, Belviana Todmann, Cem Kurosman, and Colin Moreshead

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • Turtle Island Quartet Joins Cyrus Chestnut With Global Gospel Offering

    June 6, 2019. Posted by Alex Ariff.

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    Turtle Island String Quartet with Cyrus Chestnut (Image Credit: Courtesy of the artist)

    "I don't believe America was founded to be one dimensional," pianist Cyrus Chestnut asserts. "It's various different people coming together, quote unquote, to develop something hip."

    Chestnut is referring, in part, to a conversation between jazz, gospel and classical music that has been ongoing for well over a century. But he's also describing Carry Me Home,his decade-long collaboration with the Turtle Island Quartet, the subject of this episode of Jazz Night in America.

    Now approaching its 35th year, Turtle Island — violinists David Balakrishnan and Gabriel Terracciano, violist Benjamin Von Gutzeit and cellist Malcolm Parson — stands apart from most other string quartets in its capacity to improvise and truly swing.

    Jazz Night caught the fourth-ever concert performance of Carry Me Home, at the Anne and Ellen Fife Theatre in the Moss Arts Center at Virginia Tech. The program — ranging from gospel spirituals to Senegalese chants to jazz standards — illustrates what Balakrishnan calls "a blend kind of mentality." He was using that phrase to describe Chestnut, but on some level he could have been talking about the American experiment, which can only ever be a work in progress.

    Set List

    • "Subconscious-Lee" (Lee Konitz, arr. B. von Gutzeit)
    • "Wade In The Water" (trad, arr. Cyrus Chestnut)
    • "Down In The Depths" (Wayne Shorter, arr. B. von Gutzeit)
    • "Chant Mouride" (Diame Beniot, arr. M. Parson)
    • "Jeannine" (Duke Pearson, arr. D. Balakrishnan)
    • "Come Sunday" (Duke Ellington, arr. Cyrus Chestnut)
    • "Will The Circle Be Unbroken" (Charles Gabriel, arr. Cyrus Chestnut)
    • "Lean On Me" (Bill Withers, arr. Cyrus Chestnut)

    Musicians

    Turtle Island Quartet with Cyrus Chestnut: David Balakrishnan, violin, leader; Benni von Gutzeit, viola; Gabe Terracciano, violin; Malcolm Parson, cello; Cyrus Chestnut, piano

    Credits

    Producers: Alex Ariff; Production Assistant: Sarah Kerson; Senior Producer: Katie Simon; Senior Director of NPR Music: Lauren Onkey; Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Project Manager: Suraya Mohamed; Recording Engineer: Robert Gainer, mixed by David Tallacksen

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • ECM At Big Ears: A Boundless Label Meets A Broadminded Festival

    May 24, 2019

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    Carla Bley Trio (Image Credit: Eli Johnson/Courtesy of Big Ears Festival)

    At one point during the final stretch of this year's Big Ears Festival in Knoxville, Tenn., you could have pried yourself away from a distortion-jacked Sun of Goldfinger show to join a clutch of fans hurrying over to see The Art Ensemble of Chicago. In making that calculation (a typical one, for Big Ears), you'd have been weighing two wildly different experiences with one notable thing in common: Both groups have an affiliation with the sonically adventurous label ECM Records.

    ECM is observing its 50th anniversary this year and its largest celebration took place at Big Ears, where artists from its roster played some 20 concerts. Jazz Night in America's intrepid team caught about half of these — including a gorgeous solo bass recital by Larry Grenadier and a coolly mesmerizing dual-piano concert by Craig Taborn and Vijay Iyer.

    In this episode of our show, we bring you along to three of the very best performance we heard, each illuminating a different facet of ECM. We'll begin with composer, pianist and NEA Jazz Master Carla Bley, leading her chamber-like trio with bassist Steve Swallow and saxophonist Andy Sheppard. Next up is an agile post-bop quartet led by Israeli-born trumpeter Avishai Cohen. And we end by locking into the matrix of Nik Bärtsch's Ronin, whose leader is a Swiss pianist and composer specializing in what he calls "zen-funk."

    Each of these compelling artists has insights on the broadminded legacy of ECM, and the meticulous vision of its founder, Manfred Eicher. We'll hear from them — and from the brain behind Big Ears, producer Ashley Capps, who says there has always been an ECM presence in Knoxville, if you just knew where to look.

    Set List

    • "Utviklingssang" (Carla Bley)
    • "Sex with Birds" (Carla Bley)
    • "Life and Death" (Avishai Cohen)
    • "Will I Die Miss? Will I Die?" (Avishai Cohen)
    • "Module 46" (Nik Bärtsch)
    • "Module 36" (Nik Bärtsch)

    Musicians

    • Carla Bley Trio: Carla Bley, piano; Steve Swallow, bass; Andy Sheppard, saxophone
    • Avishai Cohen Quartet: Avishai Cohen, trumpet; Marcus Gilmore, drums; Barak Mori, bass; Fabian Almazan, piano
    • Nik Bartsch's Ronin: Nik Bärtsch, piano; Sha, bass/contrabass clarinet; Kaspar Rast, drums; Thomy Jordi, bass

    Credits

    Producers: Sarah Geledi and Nate Chinen; Production Assistant: Sarah Kerson; Senior Producer: Katie Simon; Senior Director of NPR Music: Lauren Onkey; Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Recording Engineer: Rob Macomber

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.