• Watch It Live: The 2019 NEA Jazz Masters Tribute Concert

    April 15, 2019

    The 2019 NEA Jazz Masters (Image Credit: NEA)

    The livestream has concluded.

    Every year since 1982, the National Endowment for the Arts has presented its Jazz Masters award — a pinnacle of achievement in the form. The honor is presented to musicians and advocates who have made exceptional contributions to the advancement of jazz, and the 2019 class is no exception, as we'll see during tonight's live stream of this year's tribute concert, taking place at the John F. Kennedy Center For The Performing Arts in Washington D.C.

    The 2019 NEA Jazz Masters are: Stanley Crouch, jazz historian, author, critic, and co-founder of Jazz at Lincoln Center; Bob Dorough, vocalist, composer, arranger and pianist; Abdullah Ibrahim, a pianist and composer; and Maria Schneider, composer, arranger and bandleader. Tonight's host is Jason Moran, the Kennedy Center's Artistic Director for Jazz.

    Starting at 8:00 p.m. EDT in the Kennedy Center's Concert Hall, musicians Jay Anderson, Steve Berger, Terence Blanchard, Terri Lyne Carrington, Kurt Elling, Sullivan Fortner, Bill Goodwin, Cleave Guyton, Noah Jackson, 2012 NEA Jazz Master Sheila Jordan, Grace Kelly, Frank Kimbrough, Christian McBride, Charles McPherson, Jason Moran, David Murray, Pat O'Leary, Scott Robinson, and JD Walter will perform and pay tribute to the careers of the 2019 NEA Jazz Masters.

    Click here to view live close-captioning of the event.

    Copyright 2019 WBGO and The Kennedy Center. To see more, visit WBGO and The Kennedy Center.

  • Watch Electro-Jazz Drummer Mark Guiliana Perform His New Album Live

    April 12, 2019

    (Image Credit: Justin Bettman/International Music Network)

    For the last decade, drummer Mark Guiliana has had a powerful outlet in Beat Music, an underground electronic project that has made periodic appearances outside his New Jersey basement lab.

    Tonight, Beat Music performs at Rough Trade in Brooklyn, and you can watch live right here, and at The Checkout's Facebook page, starting at 9 p.m. EST.

    The show, which ushers in Beat Music! Beat Music! Beat Music! on Motéma Music, will feature Guiliana on drums and electronics, Chris Morrissey on electric bass, and BIGYUKI and Nick Semrad on keyboards and synthesizers.

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • No Man's Band: All-Female Jazz Orchestras Then and Now

    March 14, 2019

    (Image Credit: Courtesy of the artist)

    "When I was younger," Sherrie Maricle says, "it was almost a mission to blend in with all the men I was playing with. Not to be viewed as female in any way." But Maricle, a drummer inspired by the precision and power of Buddy Rich, found her calling as a leader of women — specifically, as leader of The DIVA Jazz Orchestra, which recently marked 25 years as a proving ground, a pipeline and a rejoinder to any lingering bias that this music is a masculine domain.

    Jazz Night in America recently caught up with Maricle and the band at Dizzy's Club in New York during an album celebration for The DIVA Jazz Orchestra 25th Anniversary Project. In this radio episode, we'll hear some of that new original music. And we'll hear from a few DIVA musicians, including Alexa Tarantino, an excellent saxophonist who was born in the same year as the band.

    There's a rich, important and often under-recognized legacy of all-female big bands, so we'll also spend some time in this show paying tribute. Our host, Christian McBride, traveled to California to sit down with 93-year-old saxophonist Roz Cron — one of the last surviving members of the International Sweethearts of Rhythm, which caused a sensation in the 1940s. You'll want to hear Cron's recollections of the road, which underscore why Earl "Fatha" Hines once characterized the International Sweethearts of Rhythm as "the first freedom riders."


    • "Jami's Tune" (Barbara Laronga)
    • "East Coast Andy" (Leigh Pilzer)
    • "Caravan" (Duke Ellington)
    • "Square One" (Alexa Tarantino)
    • "La Americana" (Tomoko Ohno)


    Core band with leader/drummer Sherrie Maricle; pianist Tomoko Ohno; bassist Noriko Ueda; alto saxophonists Alexa Tarantino and Mercedes Beckman; tenor saxophonist/clarinetist Janelle Reichman; tenor saxophonist Cynthia Mullis; baritone saxophonist Leigh Pilzer; trumpeters Liesl Whitaker, Jami Dauber, Rachel Therrien, and Barbara Laronga; trombonists Jennifer Krupa, Hailey Brinnel, and Leslie Havens. Special featured guest trumpeter Ingrid Jensen.


    Producers: Sarah Geledi with Alex Ariff; Production Assistant: Sarah Kerson; Senior Producer: Katie Simon; Senior Director of NPR Music: Lauren Onkey; Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Recording Engineer: Rob Macomber

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • Makaya McCraven: The Brain Behind The Mind-Bending Beats

    February 28, 2019. Posted by Alex Ariff.

    (Image Credit: Carolina Sanchez/Red Bull Content Pool)

    Makaya McCraven — a drummer-producer-bandleader-composer who sums up his MO with the evocative term "beat scientist" — has lately been on the hottest of hot streaks. His album Universal Beings was hailed as one of the best albums of 2018, by outlets ranging from The New York Times to Rolling Stone. (In the NPR Music Jazz Critics Poll, it came in at No. 4.) For McCraven, who lives in Chicago, this vaulting acclaim is just the latest evidence that he's onto something vital and new.

    Jazz Night in America devotes this episode to McCraven, his innovative process, and the creative background that continues to inform his work. We'll look at the precedent of record producers splicing tape in the studio, and how it applies to McCraven's constructive methods. We'll meet his earliest influences — his parents, African-American drummer Stephen McCraven and Hungarian folk artist Agnes McCraven. We'll join McCraven in a thrilling recent performance at the Red Bull Music Festival Chicago, on the South Side, with partners including Nubya Garcia on tenor saxophone, Brandee Younger on harp, Jeff Parker on guitar and Joel Ross on vibraphone.

    "I don't think what I'm doing is necessarily that far off of the legacy of jazz that I grew up in," McCraven observes, before acknowledging the persistence of debates about what jazz is, or should be. "I think one of the things that gives it strength is that people want to argue over it. That's a good sign. That means there's life here."


    • "Atlantic Black" (McCraven)
    • "Wise Man, Wiser Woman" (McCraven)
    • "Hungarian Lullaby" (Peter Dabasi)
    • "Song of the Forest Boogaraboo" (Stephen McCraven)
    • "Suite Haus" (McCraven)


    Makaya McCraven: drums;Nubya Garcia, tenor saxophone; Joshua Johnson, alto saxophone; Miguel Atwood Ferguson on electric violin; Brandee Younger, harp; Jeff Parker, guitar; Junius Paul, Dezron Douglas; bass, Carlos Niño, percussion; Joel Ross, vibraphone


    Producer: Alex Ariff and Sarah Kerson; Senior Producer: Katie Simon, Senior Director of NPR Music, Lauren Onkey; Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Recording engineer: Dave Vettraino; Concert producer: Red Bull Music Festival Chicago

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • Oscar-Nominated Terence Blanchard On 30 Years Of Jazz And Film Scoring For Spike Lee

    February 15, 2019. Posted by Alex Ariff.

    (Image Credit: Henry Adebonojo)

    Terence Blanchard wrote his first piece of music for a Spike Lee joint nearly 30 years ago. The movie was Mo' Better Blues, which revolves around a brooding jazz trumpeter played by Denzel Washington. Blanchard was on set to ghost those trumpet parts, but at one point, Spike heard him playing a theme at the piano, and asked him to write an accompanying string arrangement.

    That moment kicked off a collaboration that has now spanned well over a dozen films, from Jungle Fever and Malcolm X up through BlacKkKlansman, which yielded first-time Academy Award nominations for both artists (in the categories of Best Director, Best Picture and Best Original Score.) Blanchard's haunting main theme for BlacKkKlansman, "Blut Und Boden (Blood and Soil)," also just won Best Instrumental Composition at the 61st Annual Grammy Awards.

    Beyond the accolades, Blanchard's extensive work in film has transformed his capacities as a composer and bandleader. In this radio episode of Jazz Night in America, we'll consider not only how jazz influences his scoring, but also how he brings cinematic perspective to the bandstand. Along with Blanchard and Spike, we'll glean perceptive insights from pianist Fabian Almazan and critic and scholar Jason King.

    We'll also hear a lot of music from the Tri-C Jazz Festivals in Cleveland where Blanchard performed with his band, The E-Collective; played original themes from The Comedian; and unveiled a sweeping new commission, "Our Voices: Democracy RE:visited," featuring The E-Collective with orchestral and choral reinforcements.


    • "Jackie in the Rain" (Blanchard)
    • "Electricity on MacDougal" (Blanchard)
    • "See Me As I Am" (Blanchard)
    • "Our Voices: Democracy RE:visited" (Blanchard)


    "Jackie in the Rain" and "Electricity on MacDougal" - Terence Blanchard: trumpet; Khari Allen Lee: alto saxophone; Ravi Coltrane: tenor saxophone; Kenny Barron: piano; David Pulphus: bass; Carl Allen: drums

    "See Me As I Am" - Terence Blanchard: trumpet; Charles Altura: guitar; Fabian Almazan keyboards; Donald Ramsey: bass; Oscar Seaton: drums

    "Our Voices: Democracy RE:visited" - Terence Blanchard: trumpet; Charles Altura: guitar; Dale Black: bass; James Francies: keys; Oscar Seaton: drums; Orlando Watson, RA Washington: vocals


    CityMusic Cleveland:

    Ellen Breakfield-Glick, Andrew Stefaniak: clarinet; David Snyder: bass clarinet; John Wetherill: bassoon; Lisa Fink, Andrew Symington: horn; Nina Dvora Bell, Heather Zweifel: trumpet; Morgan Wynn, Sebastian Bell: trombone; Kenneth Heinlein: tuba; Dylan Moffit, Evan Mitchell: percussion; Miho Hashizume, Paul Meyer, Susan Britton, Tobiah Murphy, Aaron Schwartz: violin I; Minju Kim, Aniela Eddy, Ann Yu, James Larson: violin II; Yaël Senamaud-Cohen, Katerina Istomin: viola; Anna Hurt, Nataliya Pshenychna: cello; Joel Negus: bass; Brany Hudelson: flute; Justine Meyers: oboe.

    Spirit of the Groove Gospel Choir:

    Led by Jimmie Parker with Raziya Hernton, Sierra Robinson, Tasheka Washington, Latasha Brown , Jeanneice Jackson, Mirna Nock, June Burrage, Linda Jackson, Laveta Parker, Valerie Mathis: soprano; Kate Kooser, Adrianna Miller, Qiong-Mei Ngo, Nancy Osgood, Leslie Perkins, Kimille Webb, Zeta Wilkins, Tamara Shelton, Jubilee Jones, Leah Sanders, Marla Travick, Manalisa Williams, Diana Harris: alto; Alex Berko, Patricia Buckingham, Deitrick Burgess, D'Brian Cross, Ian Morgan, Charlie Pride, Ramone Wilkins, Carlin Jackson, Quentin Pope, Brandon Edwards, Willie Pope, Charles Harris: tenor; Reginald Bowens, Robert Grant, Jordan Shores, Joél Tucker, Caleb Wright: bass.


    Producer: Alex Ariff; Production Assistant: Sarah Kerson; Senior Producer: Katie Simon, Senior Director of NPR Music, Lauren Onkey; Executive Producers: Amy Niles, Gabrielle Armand, Anya Grundman; Recording engineers: Bruce Gigax, David Pietk.

    Copyright 2019 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.